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The Woman in the Portrait

Chapter 07 - The Woman in the Portrait

Vivienne took Elena to the east wing after breakfast. Beatrice unlocked the carved doors with the brass key she had hidden for years.

Dust softened the corridor, but the rooms beyond had been preserved exactly as Amelia left them. A yellow coat hung beside the entry. Sheet music rested on a piano. On the vanity sat a bottle of lavender perfume, nearly empty.

Elena stopped breathing.

“The smell,” she whispered. “I remember it.”

Vivienne led her to a portrait above the fireplace. Amelia stood on a windswept cliff, dark hair loose, one hand resting over the curve of her pregnant stomach. Around her neck was the locket with the blue swallow.

Elena touched the painted face. The resemblance was undeniable—not perfect, but intimate. The same eyes. The same chin. The same small scar through the left eyebrow.

“How did she get that scar?” Elena asked.

“Fell from a pear tree when she was nine,” Vivienne said. “She refused stitches until the gardener promised the tree would not be cut down.”

A laugh escaped Elena, followed by tears.

Vivienne sat beside the cold fireplace. “I failed her.”

“You thought she was dead.”

“I chose to believe people who told me she was foolish. Gregory said Samuel isolated her. Regina said Amelia was unstable. I was angry that she married without telling me. When she called the night she disappeared, I let the phone ring.”

Elena lowered herself beside her.

“What would she have said?”

“I will never know.”

A drawer in Amelia’s desk had been forced. Inside, folders were missing, but one torn sheet remained beneath the lining. It listed transfers from the Hawthorne Relief Fund to shell companies. Each entry carried initials: G.V.

Gregory Vale.

At the bottom, in Amelia’s handwriting, were seven words.

If Gregory knows I copied this, run.

Vivienne gripped the desk.

Elena read the paper twice. “My mother did not disappear because of whom she loved. She disappeared because of what she found.”

A floorboard creaked in the hallway.

Thomas opened the door, but no one was there. On the carpet lay a single charred page.

It had been slipped beneath the door moments earlier.

At the top was the seal of St. Agnes Children’s Home.

May you like

Below it, beside the name BABY GIRL MARLOWE, someone had written in red ink:

Transferred by order of Regina Vale.

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